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Sally Mann: June 12–September 6, 2004
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PRESS PREVIEW Washington, DC – Drawing upon her personal experiences as inspiration, Sally Mann creates a haunting series of photographs that speaks about the one subject that affects us all, the loss of life. Dark, beautiful and revelatory, What Remains, a five-part meditation on mortality, explores the ineffable divide between body and soul, life and death, spirit and earth. Never one to shy away from challenging subject matter, Mann asks us to contemplate the beauty and efficiency with which nature assimilates the body once life has ended. Accompanied by a book published by Bulfinch Press, Sally Mann: What Remains is on view at the Corcoran Gallery of Art from June 12 through September 6, 2004. “Death is powerful,” says Mann. “It’s perhaps best approached as a springboard to appreciate life more fully. That’s why this show ends with pictures of living people, pictures of my children. This whole body of work is a process of thanksgiving.” Organized in five sections, Sally Mann: What Remains features more than 90 photographs. Matter Lent depicts the decomposition of Mann’s beloved pet greyhound, Eva. Here, she uses the wet-collodion process, a practice in nineteenth-century photography, to create images that are simultaneously painterly, illusionistic, weathered and photographic. Untitled, perhaps the most visually shocking section in the exhibition, is made up of images of human bodies going through the natural process of decomposition at a forensic study site. In this series, Mann does not shield the viewer from the reality of bodily decay. “There’s a moment where you look at those bodies and say, ‘that was a human being.’ That was someone who was loved, cherished, caressed,” says Mann. “That’s a very tough one for me, the whole question of when a human becomes remains. That question came up over and over again while I was doing this work.” The middle section of this exhibition features two series of landscape images: December 8, 2000 focuses on the site where an armed fugitive committed suicide on Mann’s bucolic property in Virginia’s rural Shenandoah Valley. She witnessed life meeting death at her doorstep and this transitional incident served as the raw inspiration from which her photographic project unfolded. The Antietam series of landscape photographs, made at the Antietam battlefield in Sharpsburg, Maryland, go far beyond simple documentation of this rural Civil War location where 23,000 men were killed, wounded or declared missing on a single day in September 1862. These large scale images invite the viewer to contemplate the role of photography in documenting history, time passing and death’s sanctification of the eternal soil. Mann concludes the project with What Remains, thirty-six extreme close-up portraits of her three children’s faces seen floating in an inky black atmosphere. While the subjects of these loving photographs appear in stark contrast to the ghostly images of death in her other series, the viewer cannot help but recall the other images when looking into the faces of the children. In this context, her children are “what remains.” “This project is an epic visual poem – a philosophical rumination on mortality, one subject that no one can really explain. What happens to life when it ends? What remains that we do not see? Who could better explore this essentially unknowable topic than an artist with Sally Mann’s questioning gaze,” comments Philip Brookman, Corcoran Senior Curator of Photography and Media Arts and curator of the exhibition. “For Sally, such an examination of the moment when the present becomes past should be accomplished by using photographic processes of another era as well.” WET-COLLODION PROCESS ABOUT THE ARTIST CATALOGUE PRESS IMAGES EXHIBITION ORGANIZATION AND SPONSORSHIP EXHIBITION ITINERARY ABOUT THE CORCORAN GALLERY OF ART The Corcoran Gallery of Art is located at New York Avenue and 17th Street,
NW, Washington, DC, and is open every day, except Tuesday, 10 am - 5 pm and
until 9 pm on Thursday. The Corcoran is closed every Tuesday. Admission to
the Corcoran is: $6.75 for adults; $4.75 for senior citizens; $3 for students
with current ID; and $12 for families. Free for Members and children under
12. Admission is “pay as you wish” on Monday all day and on Thursday
after 5 pm. The public information line for the museum is 202.639.1700. The
information line for the college is 202.639.1800.
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